Synopsis
Pop art is currently most connected with the work of New York artists of the early on 1960’s such as Andy Warhol, Roy Lichtenstein, James Rosenquist, and Claes Oldenburg, but artists who drew on trendy imagery were part of an global phenomenon in various cities from the mid-1950s onwards. Following the status of the Abstract Expressionists, Pop’s reintroduction of certain metaphors (drawn from mass media and admired culture) was a main shift for the direction of modernism. The subject matter became far from traditional “high art” themes of morality, mythology, and classic history; rather, Pop artists famous usual objects and people of everyday life, in this way in search of to elevate popular culture to the level of fine art. Possibly owing to the incorporation of commercial images, Pop art has become one of the most familiar styles of current art.

Key Ideas

By create paintings or sculpture of mass civilization objects and media stars, the Pop art group aimed to blur the limitations between “high” art and “low” culture. The notion that there is no ladder of culture and that art may use from any source has been one of the most important uniqueness of Pop art.

It could be fight that the Abstract Expressionists search for shock in the soul, while Pop artists searched for traces of the same upset in the mediate world of advertising, cartoons, and popular images at large. But it is possibly more precise to say that Pop artists were the first to know that there is no unmediated access to something, be it the soul, the usual world, or the built environment. Pop artists thought everything is inter-connected, and then sought to make those connections truthful in their artwork.

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